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Ry Cooder The Border
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Ry Cooder - Crossroads Soundtrack - Crossroads 02. Ry Cooder - Crossroads Soundtrack - Down In Mississippi 03. Ry Cooder - Crossroads Soundtrack - Cotton Needs Pickin' 04. Ry Cooder - Crossroads Soundtrack - Viola Lee Blues 05. Ry Cooder - Crossroads Soundtrack - See You In Hell, Blind Boy 06.
Ry Cooder - Crossroads Soundtrack - Nitty Gritty Mississippi 07. Ry Cooder - Crossroads Soundtrack - He Made A Woman Out Of Me 08.
Ry Cooder - Crossroads Soundtrack - Feelin' Bad Blues 09. Ry Cooder - Crossroads Soundtrack - Somebody's Callin' My Name 10. Ry Cooder - Crossroads Soundtrack - Willie Brown Blues 11. If guitarist Ry Cooder's best albums are movie scores, including the folk-culture clash of 1985's Alamo Bay and the purple-prairie atmospheres of 1989's Paris, Texas. So it makes sense that, offscreen, he writes music like a film director. I, Flathead completes Cooder's trilogy of albums about endangered subcultural California (following 2005's Chavez Ravine and 2007's My Name Is Buddy), and a deluxe edition of this CD comes with a novella. You will need it to fully grasp the concept — Cooder plays a fictional race-car driver and struggling country singer, Kash Buk — but it is easy to enjoy the songs as individual scenes, by turns sultry (the mariachi-R&B opener 'Drive Like I Never Been Hurt'), comic (the Western-swing gag 'Spayed Kooley') and romantic (the cantina-band yearning of 'Filipino Dance Hall Girl').
Cooder sings the album's best number, '5,000 Country Music Songs,' in character, as Buk, but in a way closer to the 1972 gem 'Boomer's Story' — like a guy making slow headway in an indifferent world, to tart, poignant guitar-playing that is a sweet, short movie in itself. rollingstone.com 01. Drive Like I Never Been Hurt 02. Waitin' for Some Girl 03.
Johnny Cash 04. Can I Smoke In Here? Steel Guitar Heaven 06. Ridin' With the Blues 07. Pink-O-Boogie 08. Fernando Sez 09. Spayed Kooley 10.
Filipino Dance Hall Girl 11. My Dwarf Is Getting Tired 12.
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Flathead One More Time 13. 5000 Country Music Songs 14. Li ttle Trona Girl. MP3, 192K/s 44100Hz Joint Stereo, 44.1 MB Already a seasoned music business veteran at the age of 22, Ry Cooder stepped out from behind the shadows of the likes of Jackie DeShannon, Taj Mahal, the Rolling Stones, and Captain Beefheart, signing his own deal with Warner Brothers records in 1969. Released the following year, Cooder's eponymous debut creates an intriguing fusion of blues, folk, rock & roll, and pop, filtered through his own intricate, syncopated guitar; Van Dyke Parks and Lenny Waronker's idiosyncratic production; and Parks and Kirby Johnson's string arrangements.
And while he's still finding his feet as a singer, Cooder puts this unique blend across with a combination of terrific songs, virtuosic playing, and quirky, yet imaginative, arrangements. For material, Cooder, the son of folklorist parents, unearths ten gems — spanning six decades dating back to the 1920s — by legends such as Woody Guthrie, Blind Blake, Sleepy John Estes, and Leadbelly, as well as a current Randy Newman composition. Still, as great as his outside choices are, it's the exuberant charm of his own instrumental 'Available Space' that nearly steals the show. Its joyful interplay between Cooder's slide, Van Dyke Parks' music hall piano, and the street-corner drumming creates a piece that is both loose and sophisticated. If 'Available Space' is the record's most playful moment, its closer, 'Dark Is the Night,' is the converse, with Cooder's stark, acoustic slide extracting every ounce of torment from Blind Willie Johnson's mournful masterpiece.
Some of the eccentric arrangements may prove to be a bit much for both purists and pop audiences alike, but still, Cooder's need to stretch, tempered with a reverence for the past, helps to create a completely original work that should reward adventurous listeners.by Brett Hartenbach Tracklist: 1. Alimony (3:04) 2. France Chance (2:52) 3.
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One Meatball Singer (3:12) 4. Do Re Mi (2:57) 5. My Old Kentucky Home (Turpentine & Dandelion Wine) (1:51) 6.
How Can A Poor Man Stand Such Times And Live (2:50) 7. Available Space (2:11) 8. Pigmeat Leadbelly (3:12) 9. Police Dog Blues (3:36) 10. Goin' To Brownsville (3:24) 11.
Dark Is The Night (2:43). Tracks: Police Dog Blues 3:53 F.D.R. In Trinidad 3:23 If Walls Could Talk 4:02 Tamp 'Em Up Solid 3:50 Ax Sweet Mama 4:13 Billy The Kid 6:14 Vigilante Man 5:06 How Can A Poor Man Stand Such Times. 6:37 Tattler 3:59 Comin' In On A Wing And A Prayer 5:17 Alimony 4:07 Teardrops Will Fall 3:33 I'm A Pilgrim 2:56 Ry Cooder - guitars, vocals, mandolin Jim Dickinson - bass Jim Keltner - percussion, drums Milt Holland - percussion, drums Bobby King - backing vocals Gene Mumford - backing vocals Cliff Givens - backing vocals. On My Name Is Buddy, Ry Cooder revisits, in a new set of original material, the sound and feeling of the 'dust bowl songs' he first explored more than three decades ago on such groundbreaking albums as his self-titled 1970 debut and 1971's In The Purple Valley.
In fact, he's joined by old friends like pianist Van Dyke Parks and drummer Jim Keltner who were with him at the start of his extraordinary, ultimately globe-spanning musical odyssey, which has yielded him six Grammy Awards to date, several more nominations, and perennial acclaim. My Name Is Buddy is also a journey, a phantasmagorical rendering in music, words and pictures of the travels of three unlikely cohorts - Buddy Red Cat, Lefty Mouse and Reverend Tom Toad - as they meander through the west 'in the days of labor, big bosses, farm failures, strikes, company cops, sundown towns, hobos and trains.the America of yesteryear.' For this allegorical tale, Cooder marshals all his remarkable skills as a producer, arranger, songwriter, soundtrack composer and musicologist. (The Christian Science Monitor recently dubbed him 'a modern-day Alan Lomax.' ) My Name Is Buddy recalls Woody Guthrie's Bound for Glory - that is, if it had been enacted by the articulate animal characters of Walt Kelly's classic comic Pogo. Cooder conjures up the dark shadows of an earlier time to wryly comment on the political and social issues of the present.
As back-story to his songs, Cooder has written short stories for each one and they're accompanied by evocative illustrations from noted San Antonio-based painter and muralist Vincent Valdez, all of which are included in a specially designed package. ARTiST: Ry Cooder TiTLE: My Name Is Buddy LABEL: Nonesuch GENRE: Rock TiME: 70:51 min SiZE: 81,8 MB BiTRATE: VBRkbps RiP DATE: Feb-02-2007 RELEASE DATE: Mar-06-2007 WEBSiTE: n/a Track List: 01. Suitcase In My Hand 02:54 02.
Cat And Mouse 05:03 03. Edgar 02:38 05. Footprints In The Snow 03:07 06. Sundown Town 02:57 07. Green Dog 07:34 08. The Dying Truck Driver 04:56 09. Christmas In Southgate 03:28 10.
Hank Williams 04:09 11. Red Cat Till I Die 03:08 12.
Three Chords And The Truth 05:02 13. My Name Is Buddy 03:13 14. One Cat, One Vote, One Beer 04:16 15. Cardboard Avenue 04:34 16. Farm Girl 03:55 17.
There's A Bright Side Somewhere 04:49 Password: sharedmp3.net.
Ry Cooder December 1970 Fillmore West, San Francisco, CA Audience recording, average quality (distant vocals) mp3 @ 320 kbps Ry Cooder is another icon of 'Americana' and 'Roots' music (and just about everything else as well), a very talented multi-instrumentalist musician (most known for his slide guitar work, and generally considered among the greatest guitarists of all-time) and composer that has been following his own muse and direction in music for over 50 years. He has dabbled (quite expertly) in everything from folk, blues, soul, gospel, rock, Tex-Mex, and World Music, collaborated with all-stars such as Clapton, The Stones, Neil Young, Van Morrison, Little Feat, John Hiatt, Randy Newman, and countless others, and is also renowned for his unique film and TV scores and soundtracks. Cooder started in the 1960's as a session musician, and playing in various bands with Taj Mahal, Ed Cassidy, and Captain Beefheart, then worked with Randy Newman, Van Dyke Parks, and Little Feat, before recording with The Rolling Stones (1968-1970) for the Let It Bleed and Sticky Fingers albums, as well as the Performance Film. In 1970, he released his first solo album, Ry Cooder, featuring his guitar work, primarily in blues stylings. His subsequent albums (such as Into the Purple Valley-1972, Boomer's Story-1974, and Paradise Lunch-1974, etc.) explored various musical styles and a mix of original songs and little-known old songs that he'd give new interpretations to.
I had planned on posting a couple of classic bootlegs from radio shows of his early days, The WMMS 1972 broadcast from Cleveland, and the 1974 Ebbet's Field Denver Broadcast, or the 1974 Record Plant-Sausalito broadcast, but in looking into these shows, I found that each has recently been released on CD, and are being sold at Amazon and other retailers. Now I don't even know if these are legitimate releases, but they are being sold commercially, so I had to go back and look for other shows to post. So, instead, as a start to a series of posts featuring Ry Cooder, I have here a very early show from 1970 at the Fillmore West. Unfortunately, it is not that great a recording (actually, the guitar sounds fine, but the vocals are distant and faint, and the back-up band is also much in the background (and the band included Chris Ethridge on bass fom The Flying Burrito Brothers and Ritchie Hayward Little Feat on drums).
Nonetheless, it is the earliest solo show by Ry available, and it is very interesting to hear. Tracklist 01 Available Space 02 Do Re Mi 03 Band Intros 04 Alimony 05 Pigmeat 06 Goin' To Brownsville 07 Deep Elum Blues 08 How Can A Poor Man Stand Such Times And Live Personnel: Ry Cooder (guitar, vocals) Steve Ferguson (piano) Chris Ethridge (bass) Richie Hayward (drums). This site respects and supports artists and artist rights. Please support the artists by purchasing their officially released music through normal channels. The music files, information, and downloads linked here represent unreleased recordings that are not available through any official channels. This music is meant to supplement (and not replace) the currently available official releases for fans that want to explore deeper into an artists repertoire than is possible through official releases only (through demos, outtakes, alternate versions, and concert recordings). The music linked here is presented for sampling and evaluation purposes.
By all means, if you enjoy the music from any artists represented here, please buy their official releases. All music files linked here are freely available elsewhere on the internet and no music files are stored at this site. I hope you find new music to enjoy here.
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During the 1980s Ry Cooder was kept busy with a lot of film soundtrack work alongside his solo career, beginning with his brilliant music for Walter Hill's western The Long Riders in 1980. Many more followed, the most renowned being for Wim Wenders' 1984 film Paris, Texas. The beautifully recorded score was based on Blind Willie Johnson's 'Dark Was The Night, Cold Was The Ground', and made for some truly splendid music perfectly suited to the vast, bleak desert landscapes featured in the film. The soundtrack has proved popular, but to be perfectly honest doesn't flow like a good album should as so much of it consists of variations of the same theme. Therefore I have put together this compilation which takes the highlights of the Paris, Texas soundtrack together with some other great, and lesser-known Cooder filmscore work from the same era, from the films The Border (1982) and Alamo Bay (1985). The Border features one of Cooder's greatest songs, a rare original he co-wrote with and John Hiatt.
'Across The Borderline' was sung by Freddy Fender, and the score also featured smaller pieces quoting the memorable melody. The soundtrack also featured a wonderful little-known song, 'Building Fires', sung by Brenda Patterson (it had also been reorded by on their 1975 album ). The final two songs on the compilation are from Alamo Bay. There is a central theme here - all the films are set in southern Texas, and the music of all three soundtracks work well together, making for a great album of (mostly instrumental) music evocative of wide open spaces, the hot desert sun, and Mexican flavours from across the border. Powerful stuff!
Close Ry Cooder - The Border - 1982 Vinyl Rip in 24 Bit-96 kHz Redbook 16 Bit-44 kHz FLAC Cue no log Covers RS Links 655 MB + 192 MB 1982 / Genre: Soundtrack - MCA Records - DE 'The Border', composed and released in 1982, was the soundtrack to Tony Richardson's film 'The Border'. The interesting thing about this soundtrack is that it comes immediately after Cooder's successful collaboration with Walter Hill on 'The Long Riders' and 'Southern Comfort' and as the before and-after bookends to his enigmatic score for Wim Wenders 'Paris, Texas'. 'Enjoy this atmospheric soundtrack album of Cooder; it is really an excellent recording'. Note: No silence was deleted from this album, so please burn gapless. Review: The score for 'The Border' is perfectly balanced. Cooder's slide work is always touted, but also noteworthy is his ability to virtually disappear in the mix when collaborating with Flaco Jimenez, Freddy Fender, Jim Dickinson, Jim Keltner, and Sam 'The Sham' Samudio.
Ry Cooder The Border Soundtrack
The haunting title track, 'Across the Borderline,' sung by Fender, is among the most beautiful and literate cuts Cooder has ever written. The cantina music by Jimenez and Samudio is utterly evocative. Check the tunes with Samudio on vocals, such as 'Palomita' and 'No Quiero,' to get the laid-back, sun-up feel. Then there's John Hiatt. Hiatt was at the beginning of his association with Cooder. He helped to pen some of the better cuts on the set, including the aforementioned 'Across the Borderline' and the bluesy garage rock jam 'Skin Game.'
His high-whine vocals are perfect for the tension between cultures and reflect the conflict of Jack Nicholson's character as a principled U.S. Border guard. His music is the perfect accompaniment to visuals yet stands completely on its own. Thom Jurek - Allmusic.com 4/5 Track List: 01 Earthquake 02 Across The Borderline 03 Maria 04 Texas Bop 05 Highway 06 Palomita 07 Rio Grande 08 Too Late 09 No Quiero 10 Skin Game 11 El Scorcho 12 Building Fires 13 Nino.